Thinking Quotes by Fred D'Aguiar

Fred D'Aguiar

I think poetry can lead to policy, and I can hear the laughter when I say that.

Laughter

Policy

Thinking

Fred D'Aguiar

I try to be even-handed and fair-minded about my view of history. I don’t romanticize one side and demonize the other, though I do think that if you’re suffering a lot, especially in the Bob Marley sense, suffering becomes a kind of university out of which you’ll learn some hard lessons.

Suffering

Thinking

Views

Fred D'Aguiar

The first hit on the nervous system is the one I’m most interested in, because I think if you hit the reader emotionally, the reader can’t guarantee the lessons they would like to learn.

Guarantees

Lessons

Thinking

Fred D'Aguiar

To close the empathetic gap, you really want to get the person emotionally identifying [with your subject and characters], and then when you do that, then you want sneak in a lesson about history and about politics and whatever else you might think about.

Character

Sneak In

Thinking

Fred D'Aguiar

When you walk to the end of a fiction, its procedure is 1) intuitive; and 2) emotional. Its intelligence is emotional, I think.

Emotional

Fiction

Thinking

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Mario

Albert Serra

Normandi Ellis

John Hope Franklin

Marcel Carne

Age

Agency

Air

Answers

Argument

Bed

Betrayed

Body

Book

Bottom

Breathing

Character

Cheerful

Children

Disaster

Emotion

Emotional

Factories

Facts

Father

Feelings

Feels

Fiction

Fighting

Firsts

Get Back

Grandmother

Grief

Guarantees

Guides

Hands

Historical

Ideas

Ifs

Imaginative

Independent

Kids

Kind

Knows

Laughter

Lessons

Moments

Moving

Museums

Path

People

Persons

Policy

Privilege

Realism

Running

Sacrifice

Sides

Sneak In

Speak

Spontaneity

Suffering

Teaching

Theory

Thinking

Tragedy

Trying

Understanding

Utterance

Views

Visualizing

Want

Way

Writing

Years

Thinking Quotes by Fred D'Aguiar

I think poetry can lead to policy, and I can hear the laughter when I say that.

I try to be even-handed and fair-minded about my view of history. I don’t romanticize one side and demonize the other, though I do think that if you’re suffering a lot, especially in the Bob Marley sense, suffering becomes a kind of university out of which you’ll learn some hard lessons.

The first hit on the nervous system is the one I’m most interested in, because I think if you hit the reader emotionally, the reader can’t guarantee the lessons they would like to learn.

To close the empathetic gap, you really want to get the person emotionally identifying [with your subject and characters], and then when you do that, then you want sneak in a lesson about history and about politics and whatever else you might think about.

When you walk to the end of a fiction, its procedure is 1) intuitive; and 2) emotional. Its intelligence is emotional, I think.

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